A new report outlining the projected timeline for CD Projekt's future releases has been published with some surprises. The most unexpected claim in the analysis is the upcoming launch of a third, paid expansion for The Witcher 3: Wild Hunt, which the analyst believes will launch in May 2026 to act as a narrative and commercial bridge to the next mainline entry.
This supposed DLC is expected to carry a $30/£25 price tag and could shift as many as 11 million copies in its first year. Mateusz Chrzanowski from Noble Securities (via Strefa Inwestorow) suggests that the revenue from this project would effectively bankroll the massive marketing campaign required for the launch of The Witcher 4, which he now forecasts for a Q4 2027 release.
The financial scale of these upcoming projects is enormous. The analyst estimates that the production budget for Polaris alone will reach approximately 1.4 billion PLN (about £290 million), with a similar amount for global marketing. Moreover, the analyst notes that CD Projekt management intends to release the new trilogy within a six-year window.
Beyond the fantasy realm of the Continent, the timeline for the Cyberpunk 2077 sequel, codenamed Orion, has also been clarified in the report. Fans of Night City will reportedly need to remain patient, as Chrzanowski predicts the sequel will not arrive until Q4 2030, neatly aligning with the tenth anniversary of the original game's launch. The extended development cycle is attributed to the studio's desire to bake multiplayer functionality into the experience from day one. This added complexity has pushed the projected budget for Orion to 1.5 billion PLN (about £310 million).
Meanwhile, other projects have seen a series of reshuffles, with the remake of the original Witcher and the experimental Project Sirius both being pushed back to 2028, as resources are reportedly being diverted to ensure the flagship Polaris title hits its 2027 deadline.
KitGuru says: The idea of a paid expansion for an eleven-year-old game sounds like a stretch, but the logic of a “narrative bridge” to fund the Polaris marketing is hard to ignore from a business perspective.
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